FROZEN has won two Oscars (Best Animated Feature Film and Best Original Song for “Let It Go” and earned over $1B worldwide (nearly $400M domestically and over $600M overseas). This post (first in a series of three about the making of FROZEN) brings you into the hearts and minds of the Directors and Producer of Frozen. Peter Del Vecho (producer), Chris Buck (director) and Jennifer Lee (director) sat with us for a group interview, allowing us to fire questions at them, one after the other. Rather than give you the Q&A in dialogue format, I’m going to share the information with you the way I captured it myself. Follow this link for my spoiler-free review of Disney’s FROZEN.
The story of the making of Disney’s FROZEN began about five and a half years ago and continued to evolve up until the actual filming began. The basic concept, however, has stayed throughout – they wanted to redefine true love. The idea that it would be sisters came later in the development plan, but was embraced wholeheartedly. They were able to connect the idea with the already-hoped-for adaption of Hans Christian Andersen’s “The Snow Queen,” creating a whole new world (see what I did there?) out of snow and ice. In the end, the movie becomes Anna’s story (which is true, though, for me, the story is really about Elsa and her lonely struggle with her talent and her fear).
Although the film was always intended to be a musical, the music changed everything, especially the tone. The movie had to be rewritten almost from scratch, when Kristen Anderson-Lopez and Robert Lopez came on and started putting the music together. “People don’t sing for no reason; you need hope and drive to make the characters sing. Singing is so emotional.” The title FROZEN was chosen because it applied to so many of the themes in the movie, especially loneliness.
In order to accurately create the world of snow and ice, the art director, Michael Giaimo, was sent to the Ice Hotel in Canada, because, as a Californian, he had no experience with snow and ice. The art director and the lighting artists were then sent to Norway to research the effects of light and dark on snow and ice. Further research included the Sami (the indigenous people of the Arctic area in Scandinavia), whose influences can be seen in the clothing, music and customs of the people of Arendelle, particularly in the color and design aspects.
A favorite scene that didn’t make it to the movie was the introduction of Kristoff. He was originally going to appear as an adult, but that scene was cut (which means, in the animation world, it was never animated, so we may never see it – in favor of the ice-cutting scene at the beginning of the movie. [Fingers crossed the storyboards of that scene make it into the Extras feature of the FROZEN Blu-ray/DVD!] There may be a book coming!
In our initial post about this trip to the Walt Disney Studios, we asked for questions from younger viewers of the film. Because of the group Q&A, I was only able to pose one of the questions. I chose A Funk’s “Why did the guy in the store have an accent?” I hadn’t even noticed that Oaken (the character’s name) had an accent, while no-one else did. Here is the response: Chris Williams (co-writer and co-director of BOLT), was a storyboard artist for FROZEN, and he made a scratch recording (a practice recording to give the filmmakers an idea of how it’s going and help them determine who to cast for voices) for Oaken, creating an accent blended from his own and his Norwegian wife’s accents. Other actors auditioned for the part, but Chris had so charmed them during the scratch recording they came back to him and asked him to do it. Can you blame them? Oaken steals that scene!
What struck me most about this session was how much these three people cared about this project. They might as well have been discussing their families – you could hear the love and respect in their voices for the characters, actors and crew of the movie. I think that’s why Disney films are so heart-grabbing – they put their own hearts into the films to speak directly to ours.
As we posted about previously, Adventures by Daddy was invited to Hollywood (where temperatures were not FROZEN, a welcome break from the Polar Vortex ravaging New York!) for behind-the-scenes access to several Disney films (FROZEN, THE PIRATE FAIRY, and SAVING MR. BANKS). In the next two FROZEN posts, we’ll share our rigging and voice-over experiences.
Disclosure: Disney Home Entertainment has invited Adventures by Daddy on an all-expenses paid press trip to Los Angeles, California to tour the Walt Disney Studios and learn about their upcoming home releases. Disney has provided for transportation, meals, and lodging, but all opinions expressed are those of the author.